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Das Zusammenspiel von Bild, Musik und Text in Louis Malles „Le Feu follet“
Autor:in:
David Ortmann (Author)
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Term Paper (Advanced seminar) , 2009 , Grade: 1,3
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Die Auflösung des klassischen Hollywood-Textes
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M.A. Daniel Daimler (Author)
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Term Paper , 2002 , Grade: 1,75
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Der Umgang mit dem Thema Zeit im Film Terminator 3 - Rebellion der Maschinen
Unter besonderer Berücksichtigung von Kapitel 21
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Thomas Markert (Author)
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Seminar Paper , 2007 , Grade: 1,0
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Raymond Bellours Theorie zur Filmanalyse angewandt auf Rainer Werner Fassbinders "Angst essen Seele auf"
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Magistra artium Yvonne Rudolph (Author)
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Term Paper (Advanced seminar) , 2003 , Grade: 1,3
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Die bewegenden Spielfilme Stanley Kubricks: Ablehnung, Protest, und Verbot versus Anerkennung, Einfluss und Kult
Zur Rezeption von "Paths of Glory" (USA 1957) und "A Clockwork Orange" (GB / USA 1971).
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Susanne Resch (Author)
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Research Paper (postgraduate) , 2011 , Grade: 2,0
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Analyse der Dokumentationsreihe "Hitler eine Bilanz" von Guido Knopp
Auf Basis des Textes von Thomas Elsaesser „Un train peut en cacher un autre - Geschichte, Gedächtnis und Medienöffentlichkeit“
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Elsa Kremser (Author)
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Essay , 2007 , Grade: 1
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Entr'acte zwischen Dadaismus und Surrealismus
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Frank Dersch (Author)
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Bachelor Thesis , 2006 , Grade: 1,0
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Filmanalyse "Mystic River". An American Hero? Clint Eastwood
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Research Paper (undergraduate) , 2021 , Grade: 2,0
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Männlicher Habitus und Krise im Hollywoodfilm der 90er Jahre: AMERICAN PSYCHO, AMERICAN BEAUTY und FIGHT CLUB. Eine medien- und kulturwissenschaftliche Analyse
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Jörn Wendt (Author)
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Thesis (M.A.) , 2002
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Überprüfung der Aussagen über Deadlines in "Time in the Classical Film" von Bordwell, Staiger und Thompson. Am Beispiel des Films "Speed"
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Term Paper , 2000
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Autor:in:
Vukan Mihailovic de Deo (Author)
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Term Paper , 2004 , Grade: 2,0
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Ansätze zu Fiskes Fernsehtheorie unter dem Schwerpunkt Bedeutungsproduktion und Intertextualität
Autor:in:
Stefan Rein (Author)
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Seminar Paper , 2001 , Grade: 1,0
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Autor:in: Anonymous
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Term Paper (Advanced seminar) , 2021 , Grade: 1,3
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Autor:in:
M.A. Marius Nobach (Author)
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Thesis (M.A.) , 2009 , Grade: 1,0
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US$ 36.99
"Short Cuts" - Strategien eines Films ohne Hauptfigur
Autor:in:
Mag. Markus Widmer (Author)
Category:
Seminar Paper , 1997 , Grade: 1
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Die Selbstverbildlichung in Tagträumen im Film "The Secret Life of Walter Mitty"
Autor:in:
Andreas Keller (Author)
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Term Paper , 2021 , Grade: 3
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David Lynchs Film "Blue Velvet" und die Postmoderne. Autorenkonzepttheorie und ästhetische Merkmale des postmodernen Films
Autor:in: Anonymous
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Term Paper , 2017 , Grade: 1,7
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Autor:in:
Amal Abdellaoui (Author)
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Term Paper , 2020 , Grade: 1,7
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Autor:in:
Robert Stubbs (Author)
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Term Paper , 2020 , Grade: 1,0
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Autor:in:
Celine Keuer (Author)
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Seminar Paper , 2018 , Grade: 1,7
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Teilanalyse der Filme "To Catch a Thief" (Hitchcock, 1955) und "Rear Window" (Hitchcock, 1954)
Autor:in: Anonymous
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Seminar Paper , 2016 , Grade: 1,3
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Autor:in:
Janina Isabel Weida (Author)
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Term Paper (Advanced seminar) , 2014 , Grade: 1,3
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Die Emanzipation des Märchenhelden auf Hollywoods Kinoleinwand
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Sophie Hohmann (Author)
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Term Paper , 2017 , Grade: 1,3
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Autor:in:
Hanna Rittich (Author)
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Term Paper , 2018 , Grade: 1,7
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Autor:in:
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Term Paper , 2019
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Raum und Illusion in “The Prestige” und “The Illusionist”
Autor:in: Anonymous
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Term Paper , 2016 , Grade: 2,0
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Autor:in:
Anna Maucher (Author)
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Term Paper , 2016 , Grade: 2,0
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Obligatorische und optionale Filmzitate
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Autor:in:
Thomas Vasniszky (Author)
Category:
Seminar Paper , 2014 , Grade: 1,3
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US$ 17.99
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Autor:in:
Johanna Scriba (Author)
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Seminar Paper , 1990 , Grade: 1
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Die Theorie der "großen Syntagmatik". Filmsemiotik aus Sicht des französischen Filmtheoretikers Christian Metz
Autor:in:
Annika Pech (Author)
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Term Paper , 2014 , Grade: 2,0
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Autor:in:
Roxana Rotaru (Author)
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Term Paper , 2014 , Grade: 1,3
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Category:
Seminar Paper , 2010 , Grade: 1
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Autor:in:
Thomas Vasniszky (Author)
Category:
Seminar Paper , 2012 , Grade: 1,0
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Term Paper , 2013
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Die Tongestaltung in Francis Ford Coppolas Film "Apocalypse Now"
Autor:in:
Marina Bendocchi Alves (Author)
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Term Paper , 2013 , Grade: 1.0
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Autor:in:
Laura Weber (Author)
Category:
Thesis (M.A.) , 2010 , Grade: 1,3
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Kino als Gegenmittel
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Autor:in:
Veronika Seitz (Author)
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Term Paper , 2010 , Grade: 1,0
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Banksy - A genius in the gift shop?
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Jochen Kammerer (Author)
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Term Paper , 2012 , Grade: 1
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Seminar Paper , 2010 , Grade: 2.0
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Autor:in:
Monta Alaine (Author)
Category:
Seminar Paper , 2010 , Grade: 1,7
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Die Entstehung des Films und seine Elemente in Flauberts "Education sentimentale"
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Category:
Seminar Paper , 2010
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Hannah Späth (Author)
Category:
Term Paper , 2010
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"A History of Violence" meets a History of Classical Cinema
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Autor:in:
Malte Can (Author)
Category:
Term Paper , 2011
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Autor:in:
Markus Stegmann (Author)
Category:
Essay , 2007 , Grade: 1,3
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Die Musik von "21 Grams": Minimalistische Filmmusik mit hohem Wirkungsgrad
Autor:in:
Simon Meier (Author)
Category:
Research Paper (undergraduate) , 2006 , Grade: gut
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Extras und Co - Die Faszination der Groteske
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Term Paper , 2008 , Grade: 1,3
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Jacqueline Meier (Author)
Category:
Term Paper , 2008 , Grade: 2,0
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Erich Kästner-Verfilmungen und ihre Remakes
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M.A. Johannes Schmid (Author)
Category:
Thesis (M.A.) , 2000 , Grade: 1,0
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Analyse und Interpretation von Paul Thomas Andersons Punch-drunk Love
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Autor:in:
Max Wallraff (Author)
Category:
Diploma Thesis , 2008 , Grade: 1,0
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Star Trek - von TOS bis ENT...
Ein Essay zum 40jährigen Jubiläum von „Star Trek“ im Jahre 2006
Autor:in:
Roman Möhlmann (Author)
Category:
Essay , 2006
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Beatrice Behn (Author)
Category:
Term Paper , 2008 , Grade: 1,7
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Autor:in:
Andrea Wildt (Author)
Category:
Seminar Paper , 2004 , Grade: 1,0
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Autor:in:
Laura Heuer (Author)
Category:
Seminar Paper , 2005 , Grade: 1,0
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Hildegard Schnell (Author)
Category:
Term Paper , 2006 , Grade: 2,7
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Der unzuverlässige Erzähler in Neil Jordans "The end of the affair" (GB 1999)
Autor:in:
Michael Himpler (Author)
Category:
Thesis (M.A.) , 2004 , Grade: 1,0
Price:
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Diskursanalyse am Beispiel Trainspotting
Autor:in:
Ann-Katrin Kutzner (Author)
Category:
Presentation (Elaboration) , 2002 , Grade: 1
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Autor:in:
Claudia Sieber (Author)
Category:
Term Paper , 2004 , Grade: 1,3
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Analyse eines (Fernseh)-magazinbeitrags 'Der Daumenkinograph' in 'Aspekte' vom 29.8.03
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Petra Leitmeir (Author)
Category:
Term Paper (Advanced seminar) , 2003 , Grade: 1,0
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Fear and Loathing in Las Vegas - Ein filmischer Erzählstil zwischen Dokumentarismus und Fiktion
Autor:in:
Markus Züger (Author)
Category:
Term Paper (Advanced seminar) , 2002 , Grade: 2
Price:
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Jan Marie Lambert Peters: Struktur der Filmsprache
Autor:in:
Kerstin Tille (Author)
Category:
Term Paper , 1998 , Grade: 1,0
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Category:
Term Paper (Advanced seminar) , 1996 , Grade: 1-
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Das Imperium Walt Disneys und Stilmerkmale der langen Zeichentrickfilme Disneys
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Anna Kiesbauer (Author)
Category:
Term Paper (Advanced seminar) , 2002 , Grade: 1
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Anna Purath (Author)
Category:
Seminar Paper , 2000 , Grade: 2
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Masochismus und "The Fight Club"
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Anna Purath (Author)
Category:
Term Paper (Advanced seminar) , 2001 , Grade: 2
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Analyse der Bewegungsstruktur in James Camerons "Titanic"
Autor:in:
M.A. Sibylle Meder Kindler (Author)
Category:
Seminar Paper , 1999 , Grade: 1,0
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Das System The Thin Blue Line
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Autor:in:
M.A. Sibylle Meder Kindler (Author)
Category:
Seminar Paper , 2000 , Grade: 1,0
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