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Das Ambraser Korallenkabinett und seine Verbindung zum Meer. Material und ikonographische Bedeutung eines Sammelstücks der Frühen Neuzeit
Autor:in: Anonymous
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Term Paper (Advanced seminar) , 2017 , Grade: 1,0
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Zum Nachleben der Antike in der Frühen Neuzeit. Ein Überblick über die Antikenrezeption
Autor:in:
Tatjana Befuss (Author)
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Essay , 2017 , Grade: 1,0
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Das "Trompe-l'oeil" (täuschende Auge). Bildwirklichkeit in der niederländischen Malerei am Beispiel von Hoogstraten
Autor:in:
Sanja Belic (Author)
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Term Paper (Advanced seminar) , 2019 , Grade: 1,7
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Jung und schön. Der biblische David in der Kunst der Frühen Neuzeit
"Triumph des David" (1620) von Matteo Rosselli. Eine Analyse
Autor:in:
Tatjana Befuss (Author)
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Term Paper (Advanced seminar) , 2017 , Grade: 1,5
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Die Seeschlacht von Lepanto und die daraus entstandene Zelebrationskunst des späten 16. Jahrhunderts
Autor:in:
Victoria Landmann (Author)
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Term Paper (Advanced seminar) , 2015 , Grade: 1,3
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Leben und Tod in der Vanitasmalerei. Die Vanitas-Bilder von Juan de Valdés Leal
Autor:in:
BA UZH Angelica Blumenthal (Author)
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Presentation (Elaboration) , 2014 , Grade: 1,5
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Dürer als Wissenschaftler. Rezeption vom 18. bis zum 20. Jahrhundert
Autor:in:
Black A. Smith (Author)
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Term Paper , 2021 , Grade: 3,0
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Bernardino Luinis Bildnis eines Mannes mit Pfeilen im Körper. Der Liebende oder der Heilige Sebastian?
Autor:in:
Victoria Landmann (Author)
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Term Paper , 2014 , Grade: 1,7
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Die Vierzehn Nothelfer in ihrer mittelalterlichen Darstellung
Autor:in:
Jan Leichsenring (Author)
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Term Paper , 2004
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US$ 14.99