On his first visit to Germany, Bremen, Christopher Isherwood stayed with his uncle Mr. Lancaster. As described in his novel Down there on a Visit it was this uncle that persuaded him to return to Germany, namely Berlin. “Is Berlin so bad?”, I [Isherwood] asked, trying not to sound too interested. “Christopher - in the whole of Thousand Nights and One Night, in the most shameless rituals of the Tantra, in the carvings on the Black Pagoda, in the Japanese brothel-pictures, in the vilest perversions of the oriental mind, you couldn’t find anything more nauseating than what goes on there, quite openly, every day. That city is doomed, more surely than Sodom ever was. […] And then and there I made a decision - one that was to have a very important effect on the rest of my life. I decided that, no matter how, I would get to Berlin just as soon as ever I could and that I would stay there a long long time.” 1 Norman Page wrote in ‘Auden and Isherwood. The Berlin Years’ how the German capital became the “the most exciting city in Europe, perhaps in the world, for anyone sympathetic to experiment and innovation in a wide variety of art forms, high and popular, pure and applied: a vital city that in a surprisingly short time had become a magnet for gifted young artists and artistes.” 2
After Isherwood left London by the afternoon train for Berlin on March 14 th , 1929 he moved in a room next to the Hirschfeld Institute for Sexual Science - and thus did take a close look at the famous Berlin ‘decadence’. But not only did Isherwood explore his own sexuality while being in Germany throughout the years 1929 to 1933. He also observed a good deal about the changes that were happening in the capital: the political turmoil and the beginning of what later became the darkest of Germany’s historical chapters. Especially in his Berlin novels Goodbye to Berlin 3 and Mr.. Norris Changes Trains 4 does Isherwood describe the change from a sexual Mecca to a city of doom 5 . Traces of this change can also be found in Down there on a Visit 6 , Exhumations 7 and Christopher and his Kind 8 . This term paper will take a look at all these novels. How is the downfall of a society portrayed?
Inhaltsverzeichnis (Table of Contents)
- Introduction
- „Berlin meant Boys“: Christopher Isherwood's “sexual mecca”.
- „Charlie Chaplin ceased to be funny“: A changing society in stylistic devices
- „The City is ultimately doomed”: The Characters and their Role
- Conclusion
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This paper examines the portrayal of Berlin as a “sexual mecca” and its subsequent transformation into a “city of doom” in selected novels by Christopher Isherwood. The author analyzes how Isherwood depicts the social and political changes occurring in Berlin during the 1920s and 1930s, particularly in relation to sexuality and the rise of Nazism.
- The evolution of Berlin from a sexual mecca to a city of doom
- Isherwood's exploration of sexuality and the impact of social change on his characters
- The role of stylistic devices in conveying the changing atmosphere of Berlin
- The characters and their perspectives on the transformation of Berlin
- The impact of historical events on the narrative and characters
Zusammenfassung der Kapitel (Chapter Summaries)
- Introduction: This chapter sets the stage by discussing Isherwood's initial encounter with Berlin and his decision to stay there for an extended period. The author introduces Isherwood's perspective on Berlin as a city of both excitement and impending doom.
- „Berlin meant Boys“: Christopher Isherwood's “sexual mecca”: This chapter explores the portrayal of Berlin as a hub of sexual liberation and exploration, particularly for homosexual individuals. Isherwood's personal experiences and observations in Berlin are analyzed within the context of the city's reputation as a “sexual mecca.”
- „Charlie Chaplin ceased to be funny“: A changing society in stylistic devices: This chapter examines how Isherwood's writing style reflects the changing social and political landscape of Berlin. The author explores how stylistic devices contribute to the portrayal of a society in decline.
Schlüsselwörter (Keywords)
The paper explores key themes such as sexual liberation, social change, political turmoil, the rise of Nazism, stylistic devices, and the portrayal of characters. The work focuses on concepts such as “sexual mecca,” “city of doom,” and the impact of historical events on literature.
- Arbeit zitieren
- Judith Forysch (Autor:in), 2006, From a sexual Mecca to the City of Doom - Signs of a lost society in selected novels by Christopher Isherwood, München, GRIN Verlag, https://www.hausarbeiten.de/document/69261
