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Die bewegenden Spielfilme Stanley Kubricks: Ablehnung, Protest, und Verbot versus Anerkennung, Einfluss und Kult
Zur Rezeption von "Paths of Glory" (USA 1957) und "A Clockwork Orange" (GB / USA 1971).
Autor:in:
Susanne Resch (Author)
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Research Paper (postgraduate) , 2011 , Grade: 2,0
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"Das siebte Kreuz": Une lecture de film
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Marie-Céline Lafage (Author)
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Essay , 2012 , Grade: 16
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Anne Frank im Spielfilm: Die dramaturgische Rezeption ihrer Tagebuchaufzeichnungen
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Bachelor of Arts Eric Kresse (Author)
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Master's Thesis , 2012 , Grade: 1,7
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La guerrilla de celuloide: resistencia estética y militancia política en el cine español (1967-1981)
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Roberto Arnau Roselló (Author)
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Doctoral Thesis / Dissertation , 2006 , Grade: 10
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Freaks and Freakishness as an Element of Horror. The Example of "American Horror Story: Freak Show"
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Term Paper , 2022 , Grade: 1,3
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American Cinema at a Crossroads: The European Dimension of the Hollywood Renaissance through a Reading of "Bonnie and Clyde"
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Anastasia Spyrou (Author)
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Diploma Thesis , 2004 , Grade: 3
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A pragmatic Analysis of Desire in the Nigerian Home Video
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Ken Ndubuisi (Author)
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Academic Paper , 2020
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Audience and Empathy. Film as a Uniquely Evocative Medium
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Timothy McGlinchey (Author)
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Research Paper (postgraduate) , 2016 , Grade: 1.0
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Gender roles in "King Kong" (1933). Ann Darrow as an example for independent women or the traditional image of womanhood??
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B.A. Fabian Lukas (Author)
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Seminar Paper , 2015
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The Decline of the WASP and the Promotion of Ethnic Diversity in "My Big Fat Greek Wedding" (2002)
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Kim Frintrop (Author)
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Term Paper , 2016 , Grade: 1,0
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Revising Animation Genres: Jan Svankmajer, Tim Burton and James Cameron and the Study of Myth
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Cyrus Manasseh (Author)
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Scientific Essay , 2011 , Grade: N/A: Professional Lecture
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Cinema and Mass Media in Modernity. Walter Benjamin and the Reproducible Image
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PhD Cyrus Manasseh (Author)
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Presentation (Elaboration) , 2011 , Grade: N/A Professional Lecture
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Narrative Structure in Tom Tykwer's "Winterschläfer", "Lola Rennt", and "Der Krieger und die Kaiserin"
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Laura Smith (Author)
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Bachelor Thesis , 2015 , Grade: 72
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"Schindler's List". Hollywood’s representation of the Holocaust
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Micha Luther (Author)
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Term Paper (Advanced seminar) , 2013 , Grade: 2,7
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Stylistic Innovations in Quentin Tarantino's "Pulp Fiction"
Toward an Aesthetics of Violence
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Julian Sander (Author)
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Bachelor Thesis , 2010 , Grade: 1,3
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The Individual in Werner Herzog's Films Aguirre, the Wrath of God and STROSZEK
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Guido Böhm (Author)
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Term Paper (Advanced seminar) , 2001 , Grade: A (1,3)
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'You Freud, Me Jane?' Concepts of Spectatorship in Alfred Hitchcock's Marnie
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Simone Donecker (Author)
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Term Paper (Advanced seminar) , 2005 , Grade: A
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The expressionistic style and the theatricality in Stanley Kubrick's A Clockwork Orange (1971)
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Oliver Schill (Author)
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Term Paper (Advanced seminar) , 2003 , Grade: A
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US$ 15.99