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"We live always underground". New Order’s Power, Corruption and Lies (1983) as an Ode to the Independence Ethos and Melancholy as an Aesthetic
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Leona Walter (Author)
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Term Paper , 2020 , Grade: 1,3
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The Popular Music Artist Harry Styles. A Critical Analysis
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Kassidy-Rose McMahon (Author)
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Essay , 2018 , Grade: Undergraduate
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Authentisierungs- und Subjektivierungsmechanismen im Direct Cinema. Am Beispiel der Festivaldokumentation "Woodstock (1970)" von Michael Wadleigh
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Diana Pfeifle (Author)
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Term Paper , 2021 , Grade: 1,3
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