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Results for »
Erfassung
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Die Repräsentation der Black Culture in der Musikdokumentation "Homecoming – ein Film von Beyoncé"
Autor:in:
Amal Abdellaoui (Author)
Category:
Term Paper , 2019 , Grade: 1,3
Price:
US$ 14.99
Audiovisuelle Albträume. Wie der Horrorfilm aus kognitiv-filmtheoretischer Perspektive Angst evoziert
Autor:in:
Jasper Graeve (Author)
Category:
Term Paper , 2017
Price:
US$ 15.99
Filmemacher des Dokumentarfilms. Zwei Bergsteiger-Dokumentationen im Vergleich
"Gasherbrum – der leuchtende Berg" (1984) von Werner Herzog und "Am Limit" (2007) von Pepe Danquart
Autor:in:
Frank Melz (Author)
Category:
Term Paper , 2014 , Grade: 1,0
Price:
US$ 15.99
Henry Hobsons "Maggie". Möglichkeiten der Erweiterung und Modifikation des Zombiefilm-Genres
Autor:in:
Jessica Seeber (Author)
Category:
Term Paper , 2016 , Grade: 1,7
Price:
US$ 17.99
Lichtgestaltung am Beispiel von Derek Jarmans "Caravaggio"
Autor:in:
Janina Schizmer (Author)
Category:
Term Paper (Advanced seminar) , 2009 , Grade: 1,0
Price:
US$ 16.99
Zur Anwendung des phantasmatisch-transzendentalen Modus in "Velvet Goldmine"
Autor:in:
Andreas Schwarz (Author)
Category:
Seminar Paper , 2009 , Grade: 1,0
Price:
US$ 15.99
Geschichtsbilder im Film - Analyse des Films „Der dritte Mann“
Autor:in:
Sandra Anni Lang (Author)
Category:
Term Paper (Advanced seminar) , 1995 , Grade: 1
Price:
US$ 16.99
Der filmtheoretische Ansatz von Pier Paolo Pasolini über die Filmsprache aus der Perspektive von Gilles Deleuze
Im Fokus: Deleuzes Kinobücher „Das Bewegungs-Bild“ und „Das Zeit-Bild"
Autor:in:
Petia Ganeva (Author)
Category:
Term Paper (Advanced seminar) , 2005 , Grade: 1,7
Price:
US$ 14.99
Trainspotting can never be a film! - Analyse der Erzählstruktur des Films und Romans in ihrer Bedeutung zur Tiefenstruktur Umsetzung
Autor:in:
Gideon Koman (Author)
Category:
Seminar Paper , 2004 , Grade: 1,0
Price:
US$ 17.99
Geschlechterspezifische Ausdrucksformen in der filmischen Pornographie
Autor:in: Anonymous
Category:
Term Paper (Advanced seminar) , 2002 , Grade: 2,0
Price:
US$ 11.99
Hauptwerke der Filmgeschichte: Die Bedeutung der Filme "M*A*S*H", "Nashville", "The Player" und "Short Cuts" innerhalb eines filmgeschichtlichen Entwicklungsprozesses
Robert Altmans Erzähltechnik als Gegenentwurf zum geschlossenen Filmkunstwerk
Autor:in:
Roman Seda (Author)
Category:
Term Paper (Advanced seminar) , 2004 , Grade: 1,3
Price:
US$ 36.99
Sequenzanalyse von Stanley Kubricks "Eyes Wide Shut"
Autor:in:
Julius Pöhnert (Author)
Category:
Term Paper , 2004 , Grade: 1,0
Price:
US$ 15.99
Orson Welles: Genie und Mythos
Autor:in:
Kerstin Polte (Author)
Category:
Term Paper (Advanced seminar) , 2003 , Grade: 1
Price:
US$ 15.99
Raymond Bellours Theorie zur Filmanalyse angewandt auf Rainer Werner Fassbinders "Angst essen Seele auf"
Autor:in:
Magistra artium Yvonne Rudolph (Author)
Category:
Term Paper (Advanced seminar) , 2003 , Grade: 1,3
Price:
US$ 15.99
Trust a few, fear the rest - "X-Men" im Spiegel von Wahrnehmungstheorie und Werkästhetik
Autor:in:
Michael Clemens (Author)
Category:
Term Paper (Advanced seminar) , 2002 , Grade: 1,3
Price:
US$ 15.99
Der Film als komplexes Zeichensystem. Christian Metz: Semiologie des Kinos
Autor:in:
Roman Seda (Author)
Category:
Seminar Paper , 2002 , Grade: 1,0
Price:
US$ 17.99