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Die Bedeutung der Entwicklung des 'Digitalen Films' unter besonderer Berücksichtigung von technischen, ökonomischen und ästhetischen Aspekten
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Sonja Askarjan (Author)
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Diploma Thesis , 2004 , Grade: 1,1
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Das Mögliche und das Wirkliche im filmischen Kontext. Reflexionen der Bergsonschen Theorie am Beispiel von "A Movie" (1958)
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Janina Isabel Weida (Author)
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Term Paper (Advanced seminar) , 2016 , Grade: 1,7
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Die Eröffnungssequenz von Alfred Hitchcocks "Rear Window"
Eine Sequenzanalyse
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Julian Haisch (Author)
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Term Paper (Advanced seminar) , 2019 , Grade: 1,3
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Friedrich Wilhelm Murnaus „Nosferatu“ - Eine Analyse der dramatischen Struktur anhand der Drehbuchtheorie Syd Fields
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Selina Kunz (Author)
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Term Paper , 2007 , Grade: 2,0
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Robert Franks 'Conversations in Vermont': ein Artefakt des kommunikativen oder kulturellen Gedächtnisses?
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Anna Jontza (Author)
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Term Paper (Advanced seminar) , 2005 , Grade: 1,3
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Digitales Kino - Alchemie des Computers
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Anna Purath (Author)
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Thesis (M.A.) , 2005 , Grade: 2,0
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Masse, Ornament, Kriegsrevue - Propaganda im Nationalsozialismus unter dem Aspekt von Massen-Repräsentationen am Beispiel des NS-Spielfilms WUNSCHKONZERT (1940).
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Tillmann Allmer (Author)
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Term Paper (Advanced seminar) , 1999 , Grade: 1
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US$ 17.99