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Go to shop › American Studies - Literature

The Circumstances of Living and Working for African-American Writers in the 1960s

Title: The Circumstances of Living and Working for African-American Writers in the 1960s

Seminar Paper , 2004 , 16 Pages , Grade: 2,3

Autor:in: Susanne Opel (Author)

American Studies - Literature

Excerpt & Details   Look inside the ebook
Summary Excerpt Details

The 1960s were a decade of changes for everyone in the USA. The Civil Rights Movement was at its height, while the assassinations of important personalities such as John F. Kennedy and Malcolm X, as well as Vietnam and the Cold War overshadowed the lives and thoughts of a whole generation. Hippie Culture, the anti-war movement, and the sexual revolution created a whole new generation with a new set of values. For the arts, for culture, and for the sciences the 1960s were a period of new developments that influenced the following decades immensely: the Beatles, worldwide TV shows, or the first man on the moon, just to name a few.

Compared to their peers of periods, adolescents and unmarried young adults of the 1960s enjoyed greater social freedom and mobility and also were less tolerant of the socio-political subjugation of black people.

The 1960s were also the decade in which African-American literature reached a new climax after the Harlem Renaissance in the twenties. There were a lot of new possibilities for African-Americans, but still also a lot to fight for. Being an African-American writer was a constant struggle, not only to earn money to survive , but also to gain the same acceptance as a white writer, or to help change something for the other African-Americans. Chester Himes wrote in his essay Dilemma of the Negro Novelist in U.S. (1966):

From the start the American Negro writer is beset by conflicts. He is in conflict with himself, with his environment, with his public. The personal conflict will be the hardest. He must decide at the outset the extent of his honesty. He will find it no easy thing to reveal the truth of his experience or even to discover it. He will derive no please from the recounting of his hurts. He will encounter more agony by his explorations into his own personality than most non-Negroes realize. For him to delineate the degrading effects of oppression will be like inflicting a wound upon himself. He will have begun an intellectual crusade that will take him through the horrors of the damned. And this must be his reward for his integrity: he will be reviled by the Negroes and whites alike. Most of all, he will find no valid interpretation of his experiences in terms of human values until the truth be known. If he does not discover this truth, his life will be forever veiled in mystery, not only to whites, but to himself; and he will be heir to all the weird interpretations of his personality.

Excerpt


Table of Contents

I. A special Decade in African-American Cultural History

II. A short historical Outline of African-American Literature

III. Life in the black communities

1. Everyday Life

2. Education

3. Religion

IV. Fighting for more rights

V. Black Cultural Centres and Organizations

1. The Black Arts Movement

2. African-American theatres

3. The reception of African-American art in the 1960s

VI. Being an African-American writer in the 1960s

Objectives and Core Themes

This paper examines the socio-political environment of the 1960s and its profound impact on the life and creative output of African-American writers, exploring how the era's turmoil influenced literary expression and cultural development.

  • The influence of the Civil Rights Movement on African-American literature.
  • Social and living conditions in black urban communities and their impact on artists.
  • The rise of Black Nationalism and the "Black Power" ideology.
  • Organizational structures such as the Black Arts Movement and various African-American theatres.
  • The intersection of political activism and artistic integrity for writers of the period.

Excerpt from the Book

1. Everyday Life

In the 1960s, as well as today, most African Americans lived in urban areas. Most towns were divided into the communities of the different ethnic groups. In those communities, there existed strong neighbourhood and family networks. It was common to marry quite young, often still during high school, and to have several children. Those early marriages often led to divorces. But, in contrast to the white Americans, this did not have a bad influence on the image of the people in their neighbourhoods. It was quite common that many generations lived under one roof and that women had children from several marriages or even without being married. Family borders were flexible and each and every relative was welcome. This is especially interesting, because often African Americans were not as wealthy as whites.

Since they had a lot of children, but a comparatively low educational level, they could not earn a lot of money or even save some. Especially in the bigger cities, with their ghettos, the living conditions for African Americans were quite bad. A lot of people had to share one flat, which was often without a central heating or even a bathroom. Under these circumstances, every family member had to try and help nourishing the family. This was especially hard for artists. Many of the well-known African-American writers of this time had to work in several jobs to support their family and thus were only able to write in their rare leisure time.

Summary of Chapters

I. A special Decade in African-American Cultural History: Provides an overview of the 1960s as a turbulent period of change, defining the socio-political backdrop that influenced African-American writers.

II. A short historical Outline of African-American Literature: Traces the origins and evolution of African-American literary tradition from early slave narratives through the Harlem Renaissance to the pre-1960s era.

III. Life in the black communities: Analyzes the living conditions, educational obstacles, and the central role of religious institutions within black urban communities.

IV. Fighting for more rights: Discusses the transition from non-violent civil rights activism to the rise of Black Nationalism and the Black Power ideology.

V. Black Cultural Centres and Organizations: Examines the institutionalization of black art through movements and organizations such as the Black Arts Movement and specialized theatres.

VI. Being an African-American writer in the 1960s: Explores the personal and professional struggles of writers who navigated systemic racism and economic hardship to create socially relevant literature.

Keywords

1960s, African-American literature, Civil Rights Movement, Black Arts Movement, Black Power, cultural nationalism, urban ghettos, segregation, black identity, Black theatre, social activism, systemic racism, racial politics, artistic struggle, African-American history.

Frequently Asked Questions

What is the primary focus of this publication?

This work explores the socio-political circumstances and living conditions that shaped the lives and creative work of African-American writers during the 1960s.

What are the central thematic fields covered in the text?

The text focuses on the Civil Rights Movement, the evolution of the Black Arts Movement, economic struggles in urban communities, and the redefinition of identity through Black Nationalism.

What is the main objective or research question of the work?

The paper aims to investigate how the volatile political and social environment of the 1960s served as a catalyst for African-American literary production and how writers balanced their artistic goals with their roles as social activists.

Which methodology is employed in this research?

The study utilizes a historical and cultural analysis approach, drawing upon existing literature, essays from the period, and socio-historical documentation to evaluate the context of the 1960s.

What topics are discussed in the main body of the work?

The main body covers historical context, life in black urban communities, the political shift toward Black Power, the development of black cultural centers, and the specific personal hardships of writers.

Which keywords best describe the essence of this work?

The work is best characterized by terms such as 1960s, African-American literature, Black Arts Movement, Black Power, and social activism.

How did the living conditions in urban ghettos specifically affect writers?

Due to widespread poverty and systemic discrimination, many writers were forced to hold multiple jobs to support their families, limiting their time available for creative writing.

What role did the Black Arts Movement play for African-American authors?

The movement provided writers with a platform to be politically active, encouraging them to create works that addressed the specific needs and aspirations of the black community rather than seeking approval from white critics.

Excerpt out of 16 pages  - scroll top

Details

Title
The Circumstances of Living and Working for African-American Writers in the 1960s
College
University of Rostock
Grade
2,3
Author
Susanne Opel (Author)
Publication Year
2004
Pages
16
Catalog Number
V42610
ISBN (eBook)
9783638406062
Language
English
Tags
Circumstances Living Working African-American Writers
Product Safety
GRIN Publishing GmbH
Quote paper
Susanne Opel (Author), 2004, The Circumstances of Living and Working for African-American Writers in the 1960s, Munich, GRIN Verlag, https://www.hausarbeiten.de/document/42610
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