This book is an introduction into (female) 'Pakistani Fiction'. It starts with some sort of background information on the catchphrase 'Pakistani Fiction' in order to place the female aspect into its literary background. A second step lies in a description of the position of this literary concept within 'Postcolonial Writing' which is marked and shaped by so many different cultural and religious elements.
The short analysis of two selected novels, Ice Candy Man (1991) by Bapsi Sidhwa and Brick Lane (2003) by Monica Ali should help to show how female Pakistani writers deal with female matters. This literary reflection will be supported by three parameters which can be found in many novels dealing with this subject. The talk is about gender, diaspora and globalization all of which are used to portray female characters.
The end will consist of some sort of outlook where 'Pakistani Fiction' stands at the moment and where its trends might go to.
Inhaltsverzeichnis (Table of Contents)
- 'Pakistani Fiction'-background information
- 'Female Pakistani Writing'
- 'Female Pakistani Fiction' and 'Postcolonial Writing'
- Parameters for (female) 'Pakistani Writing'
- Gender
- Diaspora
- Globalization
- A short analysis of (female) 'Pakistani Fiction'
- Bapsi Sidhwa's Ice Candy Man (1991)
- Monica Ali's Brick Lane (2003)
- Outlook
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This book explores the concept of 'Female Pakistani Fiction' by providing a comprehensive introduction to the topic. It analyzes the position of this literary genre within the broader context of 'Postcolonial Writing' and examines the specific ways in which female Pakistani writers address gender, diaspora, and globalization in their narratives. * Exploring the literary landscape of 'Pakistani Fiction' and its female voices * Examining the intersection of gender, diaspora, and globalization in 'Female Pakistani Fiction' * Analyzing the portrayal of female characters and their experiences * Identifying key themes and trends within 'Female Pakistani Fiction' * Providing an outlook on the future of 'Pakistani Fiction'Zusammenfassung der Kapitel (Chapter Summaries)
- **'Pakistani Fiction'-background information:** This chapter lays the foundation for understanding the term 'Pakistani Fiction' and its historical and cultural context. It provides an overview of the development of Pakistani literature and explores the emergence of 'Female Pakistani Writing' within this broader landscape.
- **'Female Pakistani Writing':** This chapter delves deeper into the unique characteristics of 'Female Pakistani Writing'. It discusses the challenges and opportunities faced by female writers in Pakistan, including their representation of diverse perspectives and experiences.
- **'Female Pakistani Fiction' and 'Postcolonial Writing':** This chapter examines the relationship between 'Female Pakistani Fiction' and the broader field of 'Postcolonial Writing'. It explores the shared themes and concerns of these literatures, including the impact of colonialism and the complexities of cultural identity.
- **Parameters for (female) 'Pakistani Writing':** This chapter outlines three key parameters that are frequently employed by female Pakistani writers: gender, diaspora, and globalization. It analyzes how these parameters shape the portrayal of female characters and their narratives.
- **A short analysis of (female) 'Pakistani Fiction':** This chapter provides detailed analyses of two prominent novels by female Pakistani writers: Bapsi Sidhwa's *Ice Candy Man* (1991) and Monica Ali's *Brick Lane* (2003). It explores how these novels utilize the parameters of gender, diaspora, and globalization to depict the lives and experiences of female characters.
Schlüsselwörter (Keywords)
This book focuses on the key concepts of 'Female Pakistani Fiction', 'Postcolonial Writing', gender, diaspora, and globalization. It examines how these themes intersect in the works of female Pakistani writers, exploring their portrayal of female characters and their experiences within a complex and evolving cultural landscape.- Quote paper
- Matthias Dickert (Author), 2015, Female Pakistani Fiction. A Critical Approach, Munich, GRIN Verlag, https://www.hausarbeiten.de/document/306410